“Soprano Jana McIntyre did not disappoint, offering a dazzling upper register with pin-point control in “O zittre nicht”. The even more difficult “Der hölle Rache” featured a flittering, glittering set of ringing high Fs. This was an impressive run through this show-stopping number.”
“Jana McIntyre nailed the Queen of the Night’s two arias and, even more impressively, looked like she was having fun doing it.”
“The real discovery of the night was soprano Jana McIntyre, an enchanting Zerlina with a lovely light soprano that emphasized the character’s youth and naiveté”
“Jana McIntyre combined a dancer’s grace, mercurial wit and a vibrant soprano tone."
- David J. Baker, Opera News
“Standouts were... Jana McIntrye, whose sensational, always musically phrased Queen of the Night exceeded many”
"Jana McIntyre consumes the stage as Andromède. Her lovely voice, with a slight French accent, reaches high and low comfortably. The challenges of the role are not perceptible because McIntyre has thoroughly mastered difficulties and made them pleasures."
- Susan Hall, Berkshire Fine Art
“Not to be outdone, the Queen of the Night (Jana McIntyre), delivers a performance filled with the stuff of great nightmares — complete with 6-inch talons on her fingers that she flexes with serious wicked intent. McIntyre’s vocal gymnastics are performed with effortless ease. Her signature second act aria is breathtakingly brilliant.”
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